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International People's Jury 2022
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How to watch the films of the festival in Cinemas?
How to watch the films of the festival online?
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Programme
Programme of 16th Five Flavours AFF
Screening schedule
Sections and films
Introductions
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Virtual photography exhibition
Making Waves: Navigators of Hong Kong Cinema
Asian Horror Night
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RIP Jagoda Murczyńska
Our wonderful colleague and dearest friend with whom we shared our passion for cinema and created the Festival for almost a decade.
Festival
About the festival
News
International People's Jury 2022
Sponsors and partners
Contact Us
Archive
Tickets
Tickets - rules
How to watch the films of the festival in Cinemas?
How to watch the films of the festival online?
Tickets for films
Seat Reservation Rules
Redeem a voucher
Terms and Conditions
Sales Terms and Conditions
VOD Terms and Conditions
Programme
Programme of 16th Five Flavours AFF
Screening schedule
Sections and films
Sections
Films available online
Film index
New Asian Cinema
Edward Yang’s retrospective
Japan Feel-Good
Hong Kong Cinema in Motion
Asian Cinerama
Horrors
Introductions
Q&A sessions
Virtual photography exhibition
Making Waves: Navigators of Hong Kong Cinema
Asian Horror Night
Media
Media accreditations
Contact Us
Press pack
Education
Account
Log in
Register
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Archive - 10th Five Flavours Film Festival
10th Five Flavours Film Festival
Festival winners
Programme
Opening and closing
Opening: Long Excuse
Closing: Three
Competition: New Asian Cinema
Jury and awards
Competition film list
Portrait: Sion Sono
North Korean Cinema
Special screenings
Other sections
Rediscovered Classics
Fukushima, 5 years later
Fighters
Horrors & Thrillers
Events and actions
Corponight, 19 XI
Asian Horror Night, 29 X
Photo gallery
Jury
People's Jury 2016
Netpac Jury 2016
Guests of the 10th Five Flavours
Asian Festivals Con
Book "Silent Explosion"
Silent Explosion. New Cinema of East and Southeast Asia
Buy a book
Review
Fighters
100 Yen Love
dir. Masaharu Take
Japan 2014, 113’
The Final Master
dir. Xu Haofeng
China 2015, 109’
Train to Busan
dir. Yeon Sang-ho
South Korea 2016, 118’
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