Press Play to start
The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
A rebellious teenager is a tough target for parenting. But for Kaori, who is always smiling and juggling a few jobs at a time, her daughter's grumbling is just another way to trigger her explosive creativity. The ultra-cute school lunch boxes she prepares include sharp comments, pleas for washing the dishes, and old jokes which attract the (unwelcome) attention of the whole class. Is the way to
a daughters heart through her stomach? The precisely composed food turns into an outlet for emotional communication – not only between family members.
The candy-sweet absurdist comedy drama easily switches from playfulness to more serious tones, creating a warm portrayal of the challenges of single parenthood, the emotional turmoil of adolescence and the reality of living in a small Japanese town.
Born in Gifu Prefecture, Japan in 1963, Renpei Tsukamoto’s illustrious directorial career includes works such as "One Missed Call 2" (2004), "700 Days of Battle: Us vs. the Police" (2008), and "Reon" (2018), among many others. Renpei Tsukamoto also has extensive experience in television. Just a few of his credits include "Dragon Zakura" (2005, TBS), "Teinen joshi" (2017, NHK BS Premium),
"Juuyou sankounin tantei" (2017, TV Asahi), among others. In addition to TV dramas "At Home Dad" (2004, Kansai TV / Fuji TV) and "Mother & Lover"
(2004, Kansai TV / Fuji TV), his latest work of "Bento Harassment" is his third collaboration with star actress Ryoko Shinohara.
2005 Nieodebrane połączenie 2 / Chakushin ari 2 / One Missed Call 2
2008 Boku tachi to chûzai san no 700 nichi sensô / 700 Days of Battle: Us vs. the Police
2018 Reon / Leon
2019 Bento udręka / Kyô mo iyagarase bentô / Bento Harassment