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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
A creational documentary based on the personal diaries of Thura, an immigrant engineer from Mjanma, searching for a job fit for his qualifications in Korea.
As a marginalized, alienated observer, Thura describes the dark reality ruled by capital, xenophobia, and social inequality. The poetic tone of his diary is mixed with a realistic description of the hypercapitalist world.
The vast, slightly oneiric aesthetic of the experience recorded volumetrically as
a point cloud, allows the narration to slowly jump between the poor, yet very calm childhood, and the current, fear-ridden reality. "Rain Fruits" is a perfect addition to this year's "Parasites" section.
Song majored in filmmaking at Hanyang University and started his career in VR as an assistant director of "Eyes in The Red Wind", which has been invited to Sundance film festival in 2018.
2018 Jin-ho's Universe (kr. m. dok.)
2020 Rain Fruits (kr. m. VR)
Lee is the director of Art and Technology Lab at K'ARTS - Korea National University of Arts.He directed and created such critically acclaimed VR projects as "Eyes in The Red Wind", and "Scarecrow".
2010 Honor wojownika / The Warrior's Way
2017 Eyes in the Red Wind (kr. m.)
2020 Scarecrow (gra video)
2020 Rain Fruits (kr. m. VR)