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Archive - 12th Five Flavours Film Festival

Folklore: POB

Peeh Pob
Thailand, Singapore 2018, 62’
subtitles: Polish and English
director: Pen-ek Ratanaruang
screenplay: Pen-ek Ratanaruang
cinematography: Chankij Chamnivikaipong
editing: Padtamanadda Yukol
music: Wuttipong Leetrakul
sound: Akritchalerm Kalayanamitr
cast: Nuttapon Sawasdee, Parama Wutthikornditsakul, Thomas Burton Van Blarcom
producer: Audrey Wee, Tan Fong Cheng, Huang Junxiang, Chanel Xu, Soros Sukhum
executive producer: Eric Khoo, Jonathan Spink, Jessica Kam, Garon De Silva
production: HBO Asia, Zhao Wei Films, 185 Films
sales: HBO Asia
source of print: HBO Asia
language: Thai, English
colouration: colour & b&w

Awards and festivals

IFF Toronto 2018

Film description

A wealthy neighborhood is shaken by a murder. John Conrad, an American who recently moved to Thailand to take over as the new head of an international corporation, is found with his stomach ripped open, his guts missing, and a piece of cheese in his mouth. Manop, a journalist under financial strain, comes to the crime scene to report on the murder. There, he meets an unexpected visitor – the bloodthirsty Pob, a ghost known from Thai folk tales. The journalist makes a pact with the apparition, interviews him, and finds out all about the traumatic events of the previous night. As it turns out, the beyond can also experience language and cultural barriers.

Pen-ek Ratanaruang paints a satirical portrait of the expat community in Southeast Asia, and their ignorance of local customs and cultures. He transfers the motif known from Oscar Wilde’s "The Canterville Ghost" and introduces a neocolonial context. The visual side of the film resembles the aesthetics of the classic Universal horrors. The break-through HBO Asia "Folklore" series adds the characteristic, terrifying Peeh Pob to the canon of ghosts and monsters.

More about Folklore series

Maja Korbecka

Pen-ek Ratanaruang

Born in 1962 in Bangkok, graduated from the department of Art History at the New York Pratt Institute, where he studied between 1977 and 1985. He started off as a freelance illustrator and designer. In 1993, he began working for Film Factory in Bangkok, where he met Wisit Sasanatieng. Both directors are currently considered as the most prominent filmmakers of the Thai New Wave. In Film Factory, Pen-ek shot a few successful, award-winning commercials. A few years later he made his feature debut, "Fun Bar Karaoke," which premiered at Berlinale IFF. In the 2000s, the director was involved in a series of pan-Asian productions, working with filmmakers from Japan, South Korea, and Hong Kong. Recently, he has been dividing his time between collaborations and his auteur projects.

Selected filmography:

1997 Fun Bar Karaoke
1999 69 / 6ixtynin9 / Ruang Talok 69
2001 Monrak Transistor
2003 Ostatnie życie we wszechświecie / Last Life in the Universe / Ruang Rak Noi Nid Mahasan
2006 Niewidzialne fale / Invisible Waves
2007 Ploy
2009 Nymph / Nang mai
2011 Headshot: Mroczna karma / Headshot
2014 The Life of Gravity / Raeng dueng dood
2017 Samui Song

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