The 12 Day Tale of the Monster That Died in 8
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At the 16th edition of Five Flavors, as last year, there is a system of booking seats at cinema screenings for accreditation and pass holders. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 15 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 15, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Edward Yang's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
How does Japan deal with disasters? That's an easy question for any pop culture fan – it brings to life kaiju, great monsters which ensure the humanity's survival. A young actor, stuck at home during the lockdown, decides to grow one of the monsters from a capsule sold online, and share the result of his project with his friends on video chat, day by day.
This genuine, lyrical, humorously melancholic diary of the beginning of the pandemic, made DIY-style, is a micro portrait of several people sharing their everyday lives in the uncertain time(lessness) of waiting for the normal life to resume. Director Shunji Iwai is a filmmaker known for his great understanding of pop culture and poetry – since the 1990s, his films have been seducing generations of sensitive adults and teenagers, who appreciate his cinema's quietness and a surreal note, turning the online reality into a slightly fairy-tale world. The director does not try to be pompous, make summaries or prophecies. His elusive project from the spring of 2020 is a record of moments of uncertainty, wrapped in subtle humor, a cure for anxiety – not only that caused by the pandemic.
Born in 1963, graduate of Yokohama National University. The audiences' favorite and one of the most influential filmmakers of his generation, renown for his unique visual style and avaunt-guard narration. Apart from directing, he also a producer, actor and screenwriter. He wrote a novel, composed music for several of his films. Together with his bang Ikire, he recorded three songs for the "The 12 Day Tale."
1995 Love Letter
2001 Wszystko o Lily Chou-Chou / Riri Shushu no subete / All About Lily Chou-Chou
2004 Hana to Arisu / Hana and Alice
2015 Hana to Arisu Satsujin Jiken / Hana to Arisu Satsujin Jiken
2016 Żona dla Rip Van Winkle / Rippu Van Winkuru no hanayome / A Bride for Rip Van Winkle
2020 Rasuto leta / Last Letter
2021 Dwunastodniowa opowieść o potworze, który umarł w dniu ósmym / Yoka de Shinda Kaiju no Juninichi no Monogatari / The 12 Day Tale of the Monster That Died in 8