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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
The assassin Wong Chi-ming gets instructions for the next job from his long-time partner. Even though the two of them never met, they act in perfect synchrony. For the woman, being the shadow of the nonchalant gangster becomes an impulse to spin the web of increasingly daring fantasies. Their story is woven into the ragged trajectory of the fate of the dumb Ho Chi-mo, who breaks into small shops at night to sell the merchandise. The man lives with his father and is constantly bumping into Charlie who is crying over her broken heart and cursing her cheating boyfriend.
The plot of the film was created as a part of the colorful "Chungking Express" puzzle, but grew into a completely different, more extravagant and hallucinogenic project. Here, the grotesque, absurdity, and Wong Kar-wai's indispensable loneliness become different, darker, but still remain a stunning visual spectacle.
Wong Kar Wai
1988 Kiedy łzy przeminą / Wong Gok ka moon / As Tears Go By
1990 Dni naszego szaleństwa / Ah Fei jing juen / Days of Being Wild
1994 Chungking Express
1995 Upadłe anioły / Duo luo tian shi / Fallen Angels
1997 Happy Together / Chun gwong cha sit
2000 Spragnieni miłości / Fa yeung nin wa / In the Mood for Love
2013 Wielki mistrz / Yi dai zong shi / The Grandmaster