Days of Being Wild
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At the 16th edition of Five Flavors, as last year, there is a system of booking seats at cinema screenings for accreditation and pass holders. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 15 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 15, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Edward Yang's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
Yuddy, an overly confident ladies' man with a mockery in his eyes, starts his relation with Lai-chun with a riddle. How does he know her name? And her dreams? Why does he seduce the woman only to immediately disappear from her life? The man's relationship with his eccentric mother, who drowns her melancholy in a sea of shady gigolos, is also filled with many questions. The protagonists, floating in the gray-green light enveloping the Hong Kong of the 1960s, come together in the moments of passion, and then drift away into the inevitable loneliness.
This is the first film Wong Kar Wai made with the legendary cinematographer, Christopher Doyle. The artist experiments with narration, deceiving and seducing the viewer with the grace equal to his protagonist's, played by the legendary Leslie Cheung.
Wong Kar Wai
1988 Kiedy łzy przeminą / Wong Gok ka moon / As Tears Go By
1990 Dni naszego szaleństwa / Ah Fei jing juen / Days of Being Wild
1994 Chungking Express
1995 Upadłe anioły / Duo luo tian shi / Fallen Angels
1997 Happy Together / Chun gwong cha sit
2000 Spragnieni miłości / Fa yeung nin wa / In the Mood for Love
2013 Wielki mistrz / Yi dai zong shi / The Grandmaster