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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
A gem of the Japanese cinema, the first Ramen Western in history, in a very literal sense. Goro is a modern cowboy who exchanged his horse for a truck and made it his mission to help the main character to make the perfect recipe for Chinese Noodles (which is not as easy as it sounds). The plot, composed of loose episodes, guides the audience through the culinary customs of the Japanese, meticulously portraying the importance of a good meal and the surrounding rituals. The surreal scenes and a gallery of grotesque characters make "Tampopo" hysterically funny, but be warned – this screening will make you positively hungry.
(1933-1997). Son of a filmmaker Mansaku Itami, he began his adventure with cinema as a film and TV actor, and moved on to become a director at the age of 50. He made 10 films – he wrote scripts himself and cast his wife Nobuko Miyamoto. Often compared to Jacques Tati. In his pictures he humorously commented on the changing Japanese customs.
1984 Pogrzeb / Ososhiki / Funeral
1985 Tampopo / Tampopo / Dandelion
1987 Ryoko w akcji / Marusa no onna / A Taxing Woman
1988 Powrót Ryoko / Marusa no onna II / A Taxing Woman's Return
1990 A-ge-man – opowieści złotej gejszy / A-ge-man / Tales of a Golden Geisha
1992 Minbo, czyli japoński sposób szantażu / Minbo no onna / Minbo
1993 Ostatni taniec / Daibyonin / The Last Dance
1995 Spokojne życie / Shizukana seikatsu / A Quiet Life
1996 Sūpa no onna / Supermarket Woman
1997 Chroniony świadek / Marutai no onna / Woman in Witness Protection