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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
Drawn in delicate lines, the animation is based on the director's personal memories and years of studying urban, environmental and cultural changes happening in the capital of Indonesia, Jakarta, since the 1980s. In just 13 short minutes, standing in the middle of the street representing nearly half a century of history, we learn how the passage of time changed its architecture, soundscape, and the lives of particular families.
"Replacements" heralds the birth of a great talent and an auteur voice within the VR community. Jonathan Hagard successfully synthesizes his experience in illustration and animation, sensitivity to emotion, knowledge of technology, attention to detail, and a structural architectural panache. The outcome is an extract of the slow cinema patience, the formal discipline of short animations, and the tenderness in portraying people within wider social processes, bringing to mind the cinema of artists such as Hirokazu Koreeda.
A half-French, half-Indonesian director, animator and illustrator based in Kyoto, Japan. Between documentary and animated fiction, based on his experiences and research in sprawling cities such Tokyo and Jakarta, he tells stories through traditional animation and new media.