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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
Miso is a very unique person, and she is going through life on her own terms.
For her, the two most important things in the world are a pack of cigarettes and
a glass of good whiskey. She can give up everything else if she has to. He will have to make this decision very soon – as the price of her favorite cigarettes goes up, and so does the rent in her shabby, cold apartment, Miso quickly makes up her mind and… gives up the roof over her head. Searching for a place to crush, Miso visits her old friends. They used to be in a band together, but now everyone else gave up on their teenage rebellion and settled down. Will they take in the person they used to be so close with? Are they happy? Miso will have a chance to find out, as she sets out on a journey through Seoul and the homes of the "normals."
"Microhabitat" was born out of the director's outrage with the high prices of apartments in Seoul, which affects the situation of the young generation of Koreans. But the film is not filled with anger. It is a melancholic urban ballad, full of brilliant, eccentric humor, talking about the difficulty of keeping one's individuality in a clash with rigid social norms and the economic realities of living in
a developed country. Jeon Go-woon's steady-handed debut was created as
a cooperation of the independent Gwanghwamoon collective.
Born in 1985, first graduated from the film school of Konkuk University before studying filmmaking at the Korea National University of Arts (K’ARTS). She made her directing debut in 2008 with a short titled "Too Bitter to Love", which received the First Prize at the 11th Seoul International Women’s Film Festival. At K’ARTS, she ended up participating in the script and the production of "Sunshine Boys" (2012) by Kim Tae-gon. This successful association of several K’ARTS students motivated Kim and Jeon to create GwangHwaMoon Cinema, an independent collective of filmmakers aimed at helping each other debut in the industry. This group went on to be well known on the festival circuit for the consistent quality of its productions. Her first feature film, "Microhabitat" (2017) was met with critical acclaim and had a long festival run, after being first presented at the Busan International Film Festival.
2018 Mikrosiedlisko / Sogongnyeo / Microhabitat
2019 Persona / Pereusona / Persona