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At the 17th edition of Five Flavors, as last year, there is a system of booking seats at cinema screenings for accreditation and pass holders. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 14 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 14, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
You can use an electronic pass by presenting it to ticket takers on your phone screen.
As the first rays of light start peeking into the small room, the camera begins its slow, unintrusive observation. A woman is following her usual daily routine. Her daughter helps fold the laundry. The husband is planning a new rickshaw business. The kids are playing games on the busy street. It's time to pray. The believers from the Muslim district of Ahmedabad, Gujarat, are gathering among the rhythmic chants. Through this simple, everyday record, Shahrukhkhan Chavada manifests his protest against the systemic erasure. The current politics of Nahendra Modi's government does not recognize the presence of Muslims in the Indian society, removing them from the official picture.
Chavada's documentary method restores the minority's place in the society, offering a vision far from the violence or sensation present in the mainstream productions about Muslims. He creates a very particular aesthetics of the everyday, capturing the Indian "culture of waiting" through static shots and loops of repeating rituals. Chavada's protagonists, suspended in a disquieting moment of waiting, become the subjects of a silent, empathetic manifesto, a proof of the existence of a Muslim identity in modern India.
Raised in northern Gujarat, in the Palanpur countryside in western India. Despite being pressured to become an engineer, he chose a career in cinema. He learned about it by watching films – from the Italian neorealism, through the French New Wave, to the masters from Iran. The biggest inspiration for his films came from Lav Diaz and Abbas Kiarostami. "Which Colour?" is his feature debut he focuses on the Gujarati Muslim minority.
2023 Jaki kolor? / Kayo kayo colour? / Which Colour?