Ripples of Life
Press Play to start
At the 17th edition of Five Flavors, as last year, there is a system of booking seats at cinema screenings for accreditation and pass holders. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 14 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 14, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
You can use an electronic pass by presenting it to ticket takers on your phone screen.
Nothing ever happens in the Chinese province, so the arrival of a film crew hoping to shoot a movie that will make its way to the festival circuit causes quite a stir. Everyone knows real life can only be found in small towns – independent cinema loves stories set in the peripheries. The film's best hope for success is hiring a risings star of Chinese cinema, returning to her hometown to proudly represent her region. But nothing goes according to plan – the conflicts in the crew escalate, the script is still unfinished, and for the star, returning home is an unwanted reminder of her past, so she might have to be replaced by a waitress from a local diner. Abandon hope, all ye who enter here – the Chinese dream factory is no longer making art, its products are more akin to soap operas overflowing with problems and intrigues.
The novella-structured "Ripples of Life" talk about the hardships of collective filmmaking. Wei offers an in-depth look at the process, deconstructing the myth of the auteur. Everyone is subjected to the merciless critique – the crew, the cast, the film critics, and the small-town upstarts. The sword of irony doesn't spare even the Korean master Hong Sang-soo, whose spirit hovers over Wei Shujun's distorted mirror.
Born in 1991. Film director who started off as an actor and a rap artist. The only Chinese filmmaker with all three feature films screened at Cannes. His second movie "Ripples of Life" was made by accident, without a plan, but was immediately praised by critics. It is a record of the director's struggle at the film set, ironically portraying the specific world of Chinese independent productions.
2020 Krocząc pod wiatr / Ye ma fen zong / Striding Into the Wind
2021 Strzępy życia / Yong an Zhen Gu Shi Ji / Ripples of Life
2023 Tylko rzeka płynie / He bian de cuo wu / Only the River Flows