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Transcending Dimensions

Jigen o koeru
dir. Toshiaki Toyoda
Japan 2025, 96’
subtitles: Polish and English

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Polish premiere
Theatrical Screenings
Th 13 Nov, 21:00
Kinomuzeum
Kinomuzeum
Mo 17 Nov, 20:30
Kinomuzeum
Kinomuzeum
We 19 Nov, 20:45
Kinoteka 3
Kinoteka 3
Film also presented during the festival showcase in Poznań (20–23.11)
Credits
Japan 2025
Duration: 96’
director: Toshiaki Toyoda
screenplay: Toshiaki Toyoda
cinematography: Kenji Maki
editing: Masaki Murakami
music: Sons of Kemet, Mars 89, Kodo, Kazuhide Yamaji / The Birthday
cast: Yosuke Kubozuka, Ryuhei Matsuda, Chihara Jr., Haruka Imou, Masahiro Higashide, Kiyohiko Shibukawa
producer: Shinichiro Muraoka, Ryo Yukizane
production: Toyoda Films
language: Japanese
colouration: colour

Film description

A monk, his lover, a shaman and a hitman. When the monk suddenly disappears, a series of strange events unfolds in the Japanese countryside. At his lover’s request, the hitman sets out to track down the shaman – but can magic protect him from bullets? The characters move through a landscape where the boundaries between the real and the fantastic blur, where the shaman’s whispers intertwine with the voice of artificial intelligence, and ancient rituals merge with the numbers of modern algorithms.

Known for his experimental approach and punk energy, Toshiaki Toyoda creates a cinematic kaleidoscope that fuses genres and styles, multiplying the dimensions of reality surrounding his characters. When faith and technology begin to share the same pulse, the director poses a crucial question about modern spirituality – what place will it hold in a world dominated by AI? “Transcending Dimensions” unfolds as an artistically accomplished, ambiguous, and stylish impression, infused with Shabaka Hutchings’ electrifying music and Toyoda’s signature creative fury.

text:
Łukasz Mańkowski

Toshiyaki Toyoda

One of those creators whose name can rightfully be accompanied by the word “defiant.” The leading punk of Japan’s independent cinema, and the author of the generational coming-of-age film “Blue Spring,” which captured the zeitgeist of the early 2000s in Japan. He grew up in Osaka, and before entering the world of film, he was a master of Japanese chess — shogi. As a teenager, he abandoned it for cinema — with only a handful of yen in his pocket and a guitar under his arm, he moved to Tokyo, where he immediately began working on film sets and writing screenplays. For years, he has remained independent — his recent films offer sharp critiques of contemporary Japanese society. “Transcending Dimensions,” a punk-spirited odyssey, is one of Toyoda’s most daring formal experiments.

Filmography:

1998 Pornostar

2001 Aoi Haru / Blue Spring

2003 9 Souls

2005 Kuchu Teien / Hanging Garden

2009 Yomigaeri no Chi / The Blood of Rebirth

2011 Monsutazu Kurabu / Monsters Club

2012 I’m Flash!

2014 Kurozu Explode / Crows Explode

2018 Nakimushi Shottan no Kiseki / The Miracle of Crybaby Shottan

2020 Hakai no Hi / The Day of Destruction

2021 Senritsu Seshimeyo / Shiver

2025 Przekraczając wymiary / Jigen o Koeru / Transcending Dimensions

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