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Door

Doa
dir. Banmei Takahashi
Japan 1988, 93’
subtitles: Polish and English

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Polish premiere
Online Availability
12 Nov, 10:00 – 30 Nov
Additional Materials
Credits
Japan 1988
Duration: 93’
director: Banmei Takahashi
screenplay: Banmei Takahashi, Ataru Oikawa
cinematography: Yasushi Sasakibara
editing: Junichi Kikuchi
music: Takeshi Tsuno
cast: Keiko Takahashi, Daijiro Tsutsumi, Shiro Shimomoto, Takuto Yonezu, Masao Ishida, Koichi Takayanagi, Hiroshi Noguchi, Yoshihiro Shimada
producer: Kosuke Kuri
production: Agent 21, Directors Company
language: Japanese
colouration: colour
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Film description

Mrs Honda lives in an affluent district of Tokyo with her husband and young son. The family enjoys a beautiful apartment with an equally stunning view of the city skyline. She looks after the home and the child, while her husband provides for their comfortable life, an old-fashioned yet fairly common arrangement in Japan of the 1980s. At first, everyone seems content in this routine. That is, until the woman’s frustrations begin to surface and a persistent door-to-door salesman rings the bell, drawing her into open conflict.
Door is a brilliant time capsule of its era and one of the most important horror films in the history of Japanese cinema. Long considered lost, it now returns in a restored version. Today, it feels even more disturbing and charged with perversion than ever before.

text:
Łukasz Mańkowski

Banmei Takahashi

One of the most rebellious and consistent voices in Japanese auteur cinema. He started out in the world of pinku eiga, where, working with limited budgets and formal freedom, he developed a unique visual and narrative sensibility. In the 1980s, he co-founded the legendary Director's Company, a collective of directors (including Shinji Sōmai and Toshiharu Ikeda) that became a breeding ground for a new generation of filmmakers combining genre with artistic ambitions. Takahashi quickly went beyond the boundaries of erotic cinema, experimenting with the conventions of thriller and horror. His “Door” duology redefined the rules of Japanese horror, introducing elements of domestic paranoia and urban anxiety even before the world knew “Ringu.” In the following decades, he tackled religious, social, and biographical themes with equal ease, while maintaining a consistently personal tone. Today, he is regarded as a filmmaker who set the direction for a new, existential sensibility in Japanese genre cinema.

Filmography:

1972 Escaped Rapist Criminal / Escaped Rapist Criminal

1980 Girl Mistress / Girl Mistress

1982 Ōkami / Wolf

1982 Tattoo Ari / Tattoo Ari

1988 Drzwi / Doa / Door

1991 Door II: Tokyo Diary / Door II: Tokyo Diary

1994 Ai no Shinsekai / A New Love in Tokyo

2009 Zen 

2010 BOX: The Hakamada Case / BOX: The Hakamada Case

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