The Story of a Panty
Press Play to start
At the 16th edition of Five Flavors, as last year, there is a system of booking seats at cinema screenings for accreditation and pass holders. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 15 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 15, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Edward Yang's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
An immersive look into the lives of those who work in the shadow of the textile industry.
The process of making a pair of panties connects Yulduz, a farmer in the Uzbek cotton fields deprived of freedom of expression; Janaki, a young Sumangali spinner who had to leave the school benches for the factory; Mythili, a dyer in India who dreams of becoming a mother; Risma, an activist for the rights of women workers in Indonesia and my mother, Pascale, who runs a small clothing store in Belgium. But since the relocation of factories 30 years ago, she is no longer able to offer clothes 100 % Made in Belgium.
At each stage of its production, from country to country, the story of this panty takes us into the intimacy of the lives of these five women, each one a link in a global production chain. The film questions the value that one gives to the clothes but more importantly to the lives of those who make it.
Stéfanne Prijot is a Belgian filmmaker and photographer. Through her camera, which she considers as a citizen tool, she tackles themes on gender, water, education and climate change, which she tries to approach with the greatest humanism.