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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
The eponymous date is also the number of the room in which Su Li-Zhen lived when she met Chow Mo-wan. The writer returns to the place connecting him to his old, unfulfilled love. In the numerous romances with other women, he is looking for inspiration for his futuristic novel. Can the void the memories left in him be filled in? Is jumping into the past, into the utopia that allows you to reclaim your lost lovers, a soothing fantasy or does is cause even more pain?
The fragmentary post-scriptum to "In the Mood for Love," dispersed among several stories, escapes the formula of a typical sequel to a melodrama. Here, the retro glamour meets the soaring, cyberpunk scenery, cyborgs wear pearl earrings, and the eclectic vision of the director weaves together the most characteristic themes of his previous films – from sensual tension to hectic vibrations.
Wong Kar Wai
1988 Kiedy łzy przeminą / Wong Gok ka moon / As Tears Go By
1990 Dni naszego szaleństwa / Ah Fei jing juen / Days of Being Wild
1994 Chungking Express
1995 Upadłe anioły / Duo luo tian shi / Fallen Angels
1997 Happy Together / Chun gwong cha sit
2000 Spragnieni miłości / Fa yeung nin wa / In the Mood for Love
2013 Wielki mistrz / Yi dai zong shi / The Grandmaster