Organizing the (Im)possible
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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
“Las Kellys”, the Spanish association of hotel Chambermaids organized outside majority unions, are struggling to improve the working conditions and empower women workers trapped in the precarity of the feminized labour market. Within the 15th minutes that they have to clean up a room, the different issues such as employment precarity, feminization of the invisible workload, health and medicalization, the politics of tourism, migration, community organizing and resistance braid together mapping the complexity that they are facing.
Born in Maó (Menorca, Spain) in, 1987. She has a background in Fine Arts, specialized in Video Art and Documentary, Barcelona University, Spain (2010) and Universidad de Guadalajara, México (2009); Master in Digital Arts - UPF Barcelona, Spain (2014). Nowadays she works on live video for performance and developing projects about creative experimentation with feminism and technology. Member of “Cooperativa de Tècniques” a feminist cooperative of audiovisual technicians; “Atzur” live visual making collective and Impremta Collectiva de Can Batlló, a selforganized letterpress print shop in Barcelona.
Born in Andratx (Mallorca, Spain) in 1987. She has a background in Fine Arts, specialized in Video and Documentary. Graduated in Barcelona University, Spain (2010); Cooper Union University, New York (2008). Nowadays she works in illustration, visual communication and experimental animation. The last projects she has been working on are: long term documentary drawing project about abortion, sexual and reproductive freedom and as a color designer for the 90min Animation Movie “1917 The real october”, directed by Katrin Rothe (2016).