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The 15th edition of the Five Flavours Asian Film Festival will feature, for the first time, a seat reservation system at cinema screenings for holders of passes and stationary accreditations. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 16 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 16, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Wong Kar Wai's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
As a small kid, Sancaka participates in a workers' strike together with his father.
A tragedy happens – the man is killed by an unknown assassin. The boy's mother will soon travel to another city to look for work and never come back. Sancaka has to grow up on the streets where he learns basic martial arts and keeps dreaming about a brighter tomorrow. A few years later, he discovers a power which will help him fight against all injustice and the menacing Pengkor, whose army is terrorizing the country.
The first Indonesian superhero film was directed by Joko Anwar, the master of genre cinema, who smashed the 2017 box office with "Satan's Slaves." "Gundala" is a screen adaptation of the cult 1981 comic book "Gundala Putra Petri" and an extremely original contribution to the worldwide tradition of the genre. Rather than in his impressive superpowers, Anwar is interested in the sociological and psychological conditions that shaped his hero. The story, set in an unspecified time, is also a bitter diagnosis of the issues haunting today's Indonesia, such as corruption and social inequality. Still, Anwar does not shy away from a spectacular form – "Gundala" combines striking cinematography, pointedly dark design, moving group scenes, and magnificent action scenes, mixing the Indonesian art of Silat with a spontaneous tussle and the inevitable flash of superhero lightnings.
Born in 1976, director and screenwriter. Studied space engineering and worked as a film critic. He debuted with a popular comedy "Joni’s Promise." Considered as one of the most original Indonesian filmmakers, praised for his subversive, surprising scripts, cleverly using the genre conventions to take up controversial topics and paint strong portrayals of modern reality. In 2016, he visited 10th Five Flavours with his film "A Copy of My Mind."
2005 Obietnica Joni'ego / Janji Joni / Joni's Promise
2007 Martwy czas: Kala / Kala / Deadtime
2009 Pintu Terlarang / Forbidden Door
2012 Modus Anomali
2015 Zapis moich zmysłów / Copy of my Mind
2017 Słudzy diabła / Pengabdi Setan / Satan's Slaves
2019 Córka przeklętej ziemi / Impetigore / Perempuan Tanah Jahanam