Press Play to start
At the 16th edition of Five Flavors, as last year, there is a system of booking seats at cinema screenings for accreditation and pass holders. It is important to us that we take care not to overcrowd the rooms and avoid queues at the entrance.
Only a reservation guarantees you a seat at a screening!
The reservation system is very simple and is based on similar principles as buying tickets for individual screenings - just login to your account, visit the page of the selected film and click "book". Detailed information can be found below.
Please make reservations only for the screenings you wish to attend. Reservations can be cancelled, even at the last minute - please remember this and always cancel your reservation if you cancel your screening - this will allow other viewers to use the available space.
Reservations will be possible from Tuesday, 15 November from 12:00 p.m. for all the festival's films.
Reservation of seats
for pass and accreditation holders
Tuesday, November 15, 12:00 pm
If you decide to attend a screening at the last minute or for any other reason you do not book in advance, and there are seats available in the auditorium, your booking will be made "automatically" at the entrance to the auditorium after scanning your pass.
For most of the screenings there will be free seats before the show itself. However, please pay special attention to the screenings of Edward Yang's works and the screenings of those films that we only show in the cinema - we expect the highest attendance at these screenings.
This year, you will also be able to use an electronic pass by presenting it to ticket takers on your phone screen.
The sensitive, talented Yuni has not yet chosen her path in life, but it seems that, at the age of 16, she still has plenty of time to figure it out. She is finishing high school, learning comes to her easily, and she has a chance for a scholarship that could allow her to go to college. But her dreams and desires clash with the reality of religious norms and social prejudices that still permeate the Banteng province. Because she is a girl, others want to make decisions about her life and choose her future husband. The choice Yuni is faced with is the toughest and the most important one she will ever have to make.
Kamila Andini, who grew up in a family of filmmakers, is doubtlessly a rising star of new Indonesian cinema. Her third film, made as an international co-production, dazzles with its visual form and the maturity of its message. On the one hand, it is a poetic tale about a not-quite-mature heroine who is only beginning to discover life in its full complexity. On the other, a bitter diagnosis of a society that deprives young people of control over their own lives.
Yuni is Indonesia’s Oscar candidate for Best International Feature Film.
Indonesian director born in 1986, the daughter of director Garin Nugroho. Andini refused to work in her father’s shadow – initially, she focused on photography, and then left for Australia to study sociology. After returning to Indonesia, she started directing music videos and documentary films. Her feature debut, which premiered in 2011, was over two years in the making. Set among the Bajau, The Mirror Never Lies was shown at a number of festivals worldwide and was praised by the critics.
2011 Laut Bercermin / The Mirror Never Lies
2017 Widzialne i niewidzialne / Sekala Niskala / The Seen and Unseen
2022 Nana / Before, Now & Then